
I studied the degree of “Fine Arts: with an emphasis in Film, Video, New Media and Animation” at The School of the Art Institute of Chicago (SAIC). Here, I created a Photo-book and most of my photographic work in large format cameras. After a while, I ended up loving the ancient techniques of photography from the IX century, techniques I emulate in my films, and personal work. I lived in India for some time (Bombay) working for two main agencies: Sideways- design and consulting agency and Kyoorius Design Awards. After some time, I started learning from Kartik Vijay, where I became his assistant in various commercials for clients like Dove and Dixcy Scott (ft. Salman Khan). At the time, he was finishing a feature film called “Manto” screened at the Cannes Film Festival. I saved some money, that allowed me to backpack to the rest of India. There I found many places off-road, most of these records became the surface in which “Tilman-passages of India” came to life. Most of my work comes in the form of photography, where I have had the honor of capturing people like Gustavo Santaolalla (two times winner for the Oscar to the best soundtrack) and other celebrities and music groups. My film work has lately been based on me functioning as a cinematographer and a colorist for the work of other people. I’ve shot multiple student films and a couple of miniseries (Causalidad and Memento, both screening at the end of 2020), a couple of Fashion Films (“Mujeres: Un acto Revolucionario”), a feature-length film (“Artificial Love”, initial release 2018), amongst other 15 different short films. I’ve shot two documentaries, one for Mexican Creative Society and another for “Academia de té Mexicana” (Mexican tea academy, roughly). Lately, I shot two music videos, one for Caloncho and the second one for Karol Sevilla “Vuélveme a mirar así”.
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