
Woodland helps to diffuse harsh sunlight and this image is proof you don’t have to head out during sunrise, sunset or golden hour to capture a truly spectacular landscape. Crucially the background and foreground aren’t particularly busy, causing the six trees to stand out and immediately attract the viewer's gaze.
1,205 Images entered
711 Photographers
64,660 Ratings
A classic look-up shot of the forest’s canopy would have still captured the gorgeous autumnal colours and golden light. But what makes this image really special is the decision to frame the subject’s twisting network of roots. A super-wide 16mm focal length (35mm equivalent) was required to squeeze in the treetops and forest floor.
This trio of toadstools (fly agaric) was created almost entirely in-camera, with only a little cropping and sharpening in post-production. The subtle tones and mist has created a dream-like atmosphere that pairs perfectly with fungi’s association with folklore. The subjects appear tack-sharp while the f/5.6 aperture and 200mm focal length have combined to create a suitably shallow depth of field.
The concept and meticulous costume design blurs the line between portrait photo and art. The dried texture of the dress, billowing smoke and crown of cigarettes invites the viewer to ponder the meaning behind this incredible setup. We particularly like the subtle lighting, which highlight’s the model’s face while keeping a very natural mood.
This image is a jaw-dropping reminder that landscapes aren’t limited to just sunrise and sunset conditions. The dramatic sky complements the harsh, mountainous terrain and the sliver of golden light highlights the craggy subject. We particularly like how the warm, earthy colour palette contrasts the cool tones of the snow-covered foreground and brooding sky without appearing overly saturated.
Brief
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In this Nikon-only contest – brought to you by N-Photo magazine – we're asking for your best autumn images. So, whether it’s a fall-themed portrait, a warm woodland wide-angle, or a landscape bursting with orange and red hues, we’d like to see your best autumn photographs. </br> <b>Entry details:</b> <b>Do:</b> Ensure your photo was taken on a Nikon camera Have EXIF data in your photo (in the info section) Provide a title for your photo Write a description of the photo you're entering of at least 50 words to give us the background of what the image is of and how the it was taken. A little context can go a long way! Check your photo has a resolution of at least 3000 pixels on the longest edge of the photo as we will be printing our top 10 images in N-Photo magazine. <b>Do not:</b> Have a watermark on your photograph <B><i>Any photo not following the above rules will be disqualified from the competition.</i></B>
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John bucked the trend and found his own angle on this much-photographed waterfall in North Carolina. The fallen leaves provide a welcome dash of colour and pair with the log to provide foreground interest. An aperture of f/22 has allowed for a large depth of field with both the foreground and background in focus, and the shutter speed was slow enough to capture movement in the water.