
This black-and-white photograph is a stunning example of high-drama landscape, centered on the meteorological phenomenon of "God rays" or crepuscular rays. The sky is dominated by dense, heavy clouds, yet brilliant streaks of light break through, slicing diagonally across the frame to illuminate the turbulent sea below.
The composition utilizes a dark foreground (the beach) and deep ocean tones, which serve to emphasize the dazzling brightness of the light rays and the shimmering texture of the water's surface where the light hits. A lone bird caught in the middle distance adds a small, poignant scale reference, transforming the scene into an epic, visually resonant moment.
This photograph utilizes a monochromatic, low-contrast treatment to convey a deep sense of calm and solitude, amplified by the heavy fog. The small boathouse, nestled against the treeline, acts as the only clear anchor point amidst the diffused landscape.
The composition achieves striking symmetry and tranquility through the perfectly still lake, which mirrors the scene above, blurring the distinction between water and air. The soft, enveloping mist simplifies the background into abstract tonal shapes, making the man-made structure and the solitary, bare tree feel like quiet, private sentinels in an ethereal, dreamlike environment.
This photograph is an intensely atmospheric and minimalist piece, utilizing a muted, low-contrast palette of deep grays and blues to evoke a sense of quiet dread or deep contemplation. The central, silhouetted figure is submerged up to the chest, facing away from the viewer towards a perfectly leveled, featureless horizon line.
The long exposure technique smoothes the water's surface, blurring the boundary between the figure and its environment and turning the sea into a vast, milky void. This emphasizes the figure's isolation and vulnerability, transforming the human form into an iconic, solitary monument standing at the edge of the known world.
790 Images entered
Brief
See more contest details
**This contest is open to photographers ranked 1001+ in this week’s <a href="https://www.photocrowd.com/photographer-community/">Leaderboard</a>.** The toning of photographic prints was a commonplace practise that lent a different colour to the print, usually either a brown/sepia or blue tone. It was also thought in most cases to improve the archival quality of the print. It worked by replacing the metallic silver in the print’s emulsion with a different silver compound, such as silver sulfide in the case of sepia toning. Nowadays of course a tone can be applied more straightforwardly, and with less potential health impacts, using our post processing software. It can be a fun way to play with your imagery and create a completely different look and feel. Images submitted to the contest must be black and white images that have had a single tone applied to the whole image.
396 Photographers
Meet the expert judge