
This beautiful group of cyclamens is a composite. The flowers were photographed individually on a light box and combined in Photoshop, using the multiply blending mode to create the semi-transparent effect. We love the pastel colours, how the flowers sit at different heights to balance the frame, and that the rule of odds has been used to perfect the composition.
Spraying a nearby window with water to capture the incredible bokeh was an ingenious idea. We also like how the bokeh is collected around the opening of the flowerhead, as if the bubbles are emanating from it. Add to that beautiful soft lighting and a crisp subject and this is an inventive and impressive shot.
This image started life as a photograph of sun-bathed poppies in front of a concrete wall, with deep shadows in the bottom-right corner. Post-production techniques were then used to transform the simple photo into a painterly work of art. We particularly like how the poppies have partially retained their photographic form, while also becoming part of the colourful concoction.
The bokeh-filled background has been used to clearly separate the subject from the background. Normally the flowerhead would be facing the camera, but in this instance we like the unusual angle. The dash of green in the centre of the frame makes for an interesting addition, complementing the pink hues.
1,730 Images entered
The Nikon Z 7’s focus shift function was put to good use when photographing this incredibly detailed flowerhead. A whopping 30 images were combined in post-production to achieve front-to-back sharpness. We also like what would appear to be very tasteful colour popping, that really highlights the grandeur of the species pistil.
This image is proof that you don’t necessarily need a specialist studio setup to capture fantastic flower close ups. A Nikon Z MC 105mm f/2.8 VR S was used to fill the frame with the dahlia’s incredible array of petals and the flowerhead was shot square on to create a sense of symmetry. The subject was photographed at a garden centre and we can only assume diffused natural light was used to create beautifully even lighting.
It’s hard not to enjoy this imaginative pairing. The image is called Listen to me and it’s not hard to see why; the windswept daisy on the right appears to be blasting a wall of sound at the slightly dishevelled daisy on the left. Clever narrative aside, the even lighting and dark background amplify the subject’s presence, leaving the viewer to focus entirely on the meaning.
987 Photographers
Gorgeous lighting and an unusual still-life arrangement really makes this trio of flower pots stand out. The dark background was added later; the flowers were photographed as a silhouette so the subject could be easily selected in post and a replacement backdrop added thereafter. A photo of a temple wall was used as the backdrop, a very subtle texture, but one that really complements the rugged subject matter.
Meet the expert judge
Brief
See more contest details
In this Nikon-only contest – brought to you by N-Photo magazine – we're asking for your best flowers and plants images. So, whether it’s a classic still life, a blossom-filled landscape, or a close-up of a flowerhead, we’d like to see your best flowers and plants photographs. </br> <b>Entry details:</b> <b>Do:</b> Ensure your photo was taken on a Nikon camera Have EXIF data in your photo (in the info section) Provide a title for your photo Write a description of the photo you're entering of at least 50 words to give us the background of what the image is of and how it was taken. A little context can go a long way! Check your photo has a resolution of at least 3000 pixels on the longest edge of the photo as we will be printing our top 10 images in N-Photo magazine. <b>Do not:</b> Have a watermark on your photograph <B><i> Any photo not following the above rules will be disqualified from the competition.</i></B>