Inside places we love

This is rather a tricky frame to pull-off because timing here is crucial and for me, it's just missed as the customer glances away over the bar. However, the bar itself is a very interesting and bold shape and, although the exposure isn't badly handled, I wonder whether a tighter framing and perhaps a slightly lower angle might have made a more 'concentrated composition. Anyway, well-seen.

A very well seen and entirely graphic composition that reminds me somewhat of an Escher artwork. The key to images like this is timing and waiting for the elements - here the pedestrians) to make interesting patterns and I think that largely they have. Monochrome in this case certainly concentrates the eye on the elements. Well done.

This is a very good idea but let down by a tricky exposure and also a critical framing. An excellent composition whereby the foundation 'leads' us into the couple but I could have done without the red drain pipe coming out of the groom's (?) head. A small movement to the photographer's right would have eliminated that. However the main issue is the (overly) bright table in relation to the main subject and I wonder if a spot-metering off of their faces might have rendered a better brightness balance. Overall however, this is a strong frame. Well done.

An enormously pleasing image. A graphic and calm frame that not only reflects the core theme of the competition but also a simplicity lacking in many entries. The tonal palette is straightforward as are the clearly delineated shapes. A delightful photograph.