It would be easy to overlook this image because ostensibly it's not really got a whole lot of subject matter, but for me that's what drew my attention to it. I really rather enjoy the minimal feel to it and it's a demonstration that the camera on your phone can be a great way to capture images on the go. It might not have a main focal point but it's all about relationship. The relationship between the land, the sea and the sky, paired down to those basic elements. A lovely abstract that I really enjoyed.
There is lots going on in this image, from the rocks in the foreground, some submerged, to the islands in the mid ground, populated by a few trees here and there, and then the large mountainscape in the background, rising above the water line into the high cloud above. It's easy for the eye to jump from one element to the other, unified by the complimentary turquoise, blue and green colours permeating the whole composition. I'd have given a little more room to the rock in the foreground and considered shooting in portrait orientation to use that rock as a way into the image, leading to the island and mountains beyond.
This is a pleasing panoramic image and I enjoyed reading your story stating this was the first time you'd tried to capture sunrise in this particular location. One of the joys of landscape photography is the ability and desire to go back to locations again and again, because they'll inevitably be different every single time. You've got the balance between the warm tones of the rising sun and the cool blues of the receding night just right. I would say the composition is a little awkward, mostly because of the chunk of shoreline creeping into the bottom left. Next time you're there maybe consider shooting in portrait orientation so those rocks could act as a lead into the trees and hills beyond. That aside, I feel like you had a really good time shooting this scene and frankly that is all that matters.
I love the mood that you've created in this image. Intentionally dark with just the bright lights of the city beyond. I like that you've used the twinkling lights of the pier to lead the eye into the heart of the scene. The dark processing makes me look a little closer, and yet ensures that I'm not immediately distracted by the bustling harbour. The more I look, the more the scene appears, with the skyline of Melbourne emerging. Nicely composed and processed.
This is a well constructed and composed waterfall image that demonstrates skill and understanding of how to create a compelling photograph using all the elements that nature has provided. The low angle provides a lead into the flowing water, framed by the fresh greens of the woodland above. Those greens are a welcome contrast to the earthy tones of the surrounding ground, enhanced by the processing choices to warm the image up. The part that really makes the image for me is the swirling water in the bottom left. I imagine you had to take quite a few images before those swirls looked the way you wanted them to look. A lovely example, well seen, captured and processed.
This a lovely mood in this image, with hazy light creating layers from the natural elements. The blown out, clear blue sky to the light catching on the tops and then the trees below, all reflecting in the still lake. It's got an ethereal feel to it. I'd consider cropping out the stairs on the right because their dark contrast steals attention from the scene and the whole composition is slightly wonky which could easily be straightened up in post.
I think when we think of bluebells images (especially in woodland) the mind jumps to those misty, ethereal scenes with light breaking through the uniform trees. Safe to say, most of the places where we find bluebells do not look like that and it's great to see a different take, incorporating the ancient woodland. Although there is some light, it isn't reaching the forest floor which protects the bluebells from variations in colour that can come from strong side lighting. The reason the image works for me is the way the tree on the left and the tree on the right are arching, almost protectively, into the scene, catching some of that evening light and framing the bluebells below. The path leads the eye into the scene and there's plenty to enjoy amongst those twisted branches. Thank you for sharing!
100 Images entered
Some images are literal depictions of the landscape and some images are a more of an interpretation, an abstraction of the landscape that still has enough to signal where and what we're looking at but does it in a unique way. I know those mountains are positioned in Iceland, but there's no context for that due to the tight crop with focusses in on the textures and patterns of the mountainscape. That alone would have made an intriguing and compelling image, but this is enhanced further by the figure at the bottom adding scale to the scene. Powerful image.
Long exposures, like this one, can be rather powerful because they take a static image and give it a sense of motion and drama. It works because it feels like the sky is moving towards the eye and it leads it into the dead tree in the foreground as well as the stately home beyond. The blues work well with the greens of the trees and lawn. The downside of long exposures is that they show up any dust on the sensor and there's a couple of dust spots that have snuck through that could be easily removed in post.
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Welcome to Photocrowd’s ‘Landscapes’ contest for New Joiners! These contests are a chance for new members to introduce their photography to the community, and get a taste of how Photocrowd contests work. They can be entered by anyone within their first 28 days of joining Photocrowd. After 100 images have been submitted the contest closes and the Crowd will start rating the images. The Expert Judge will also be judging the images and writing reviews at the same time. All the winners, both Crowd and Expert, will be announced after 3 days of judging. Make sure you also check out our two other New Joiners contests - ‘People’ and ‘Animals’.
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Some images just suit a monochrome conversion, especially when the light is rather bright and garish. Converting to monochrome takes the image back to its basic elements, so our eyes are focussed on the textures in that mountain range, the variations in grey on the slopes and the peaks, reflecting back in the water below. This contrasts with the dark line of the trees pulls the eye into heart of the composition. There are a couple of dust spots in the upper left of the image that are a little distracting and could be easily removed in post.
There's a really nice mood to this image, with the light of the lighthouse permeating through the encroaching night. The 1:1 composition works well, concentrating the eye on the lighthouse itself, flanked by the vertical lines created by the tree on the right and the mast on the left. Some lovely colours and the exposure is handled well.
The time between sunset and certified darkness, otherwise known as 'civil twilight' is perhaps my favourite time of day to shoot, especially when there is artificial lights at play. The real success of this composition is the way you've balanced the lights on the pier with the pastel tones of the sky inviting in just enough of that blue hour to create an appropriate mood. This is helped by the sea reflecting back blues and golds, complimenting the sky, providing a sense of motion to an otherwise static image. Nicely done.
