Mad About Mono
Alan Millin

Mad About Mono

May 2019

Expert
winner

A resoundingly popular image, we all loved the ingenuity behind this still life and appreciated how long it must have taken to set up. The separation of the tones and angle of the light are just right to retain texture and depth, and to be able to differentiate between the 'petals' as they spread out towards the edges of the frame.

120,550 Ratings

Entry 3794188
36th
118
Entry 3795819
10th
207
Crowd
winner
Entry 3835824
248th
25
Entry 3835915
106th
22
Entry 3842563
149th
116
Entry 3874220
221st
432
Entry 3904913
378th
8

An ingeniously observed scene, where the harsh light and high contrast have resulted in the wires appearing like Japanese characters. We like how the verticals have been kept perfectly straight, as it's this sort of attention to detail that lifts an image out of the ordinary.

Meet the expert judge

We see a lot of minimal black & white long-exposure images, but this one is particularly well executed. The composition is spot on, with the wave breakers fading out to nothing. There is just enough detail and contrast in the foreground breakers, too. Nicely done.

Brief

See more contest details

**NEW RULE: The same image, and altered versions of the same image file, can only be entered into one APOY round. <a href="https://www.photocrowd.com/photo-competitions/photography-awards/apoy-2019/help/#heading-1580">Find out more</a>.** Photographers working in black & white often say that colour is a distraction. When we remove colour from the equation, the rules of composition, framing and lighting shift their parameters and require the photographer (and viewer) to see the world in a different way. With everything pared back we tend to focus on the graphic elements of a scene in the form of angles, shapes, lines and textures. Light is another key factor here. When black & white and atmospheric lighting combine, the result can be very powerful. To hone your black & white skills it can help to look at the work of monochrome masters such as André Kertész, Bill Brandt, Michael Kenna and Sebastião Salgado. Toning is completely acceptable in this round.

Entry 3778348
154th
9
Entry 3786473
56th
75
Entry 3794429
67th
4

A wonderful moment captured. You can feel the sheer power of the elephant's presence as it takes a much-needed dust bath. The portrait format is the right choice in terms of composition, and the detail captured in the dust is perfect. The only thing we'd like to see is a little more contrast.

Entry 3924958
59th
8
Entry 3925085
6th
31
Entry 3930112
40th
258
Entry 3931395
150th
255
Entry 3951906
72nd
164

Iceland must appear in most landscape photographers' top five destinations, and this spectacular panorama demonstrates why. There is interest across the whole frame, and composing so that the mounds in the foreground echo the shapes of the mountain beyond is a clever device.

Entry 3956020
25th
92
Entry 3956984
44th
5
Entry 3957961
19th
10
Entry 3958985
39th
56