
A resoundingly popular image, we all loved the ingenuity behind this still life and appreciated how long it must have taken to set up. The separation of the tones and angle of the light are just right to retain texture and depth, and to be able to differentiate between the 'petals' as they spread out towards the edges of the frame.
120,550 Ratings
Meet the expert judge
Brief
See more contest details
**NEW RULE: The same image, and altered versions of the same image file, can only be entered into one APOY round. <a href="https://www.photocrowd.com/photo-competitions/photography-awards/apoy-2019/help/#heading-1580">Find out more</a>.** Photographers working in black & white often say that colour is a distraction. When we remove colour from the equation, the rules of composition, framing and lighting shift their parameters and require the photographer (and viewer) to see the world in a different way. With everything pared back we tend to focus on the graphic elements of a scene in the form of angles, shapes, lines and textures. Light is another key factor here. When black & white and atmospheric lighting combine, the result can be very powerful. To hone your black & white skills it can help to look at the work of monochrome masters such as André Kertész, Bill Brandt, Michael Kenna and Sebastião Salgado. Toning is completely acceptable in this round.