
This image was taken at Porto’s Casa da Música metro station and is a great observation, because the architecture looks like a giant eye. We particularly like how the pigeons on the roof window and against the bright blue sky resemble fish in a fish tank. The heavy shadow prevents anything from detracting from the image, while also conveying a brooding atmosphere.
This incredible image was captured at Galiff Street’s weekly pet and plant market, near the Shyambazar five-point crossing in Kolkata, India. The entire frame is filled with black and orange fish that contrast beautifully against the white background. A relatively slow shutter speed has been used to capture subtle movements, resulting in an eye-catching watercolour effect.
1,140 Images entered
Marco has used a Speedlight attachment and an old projector to create his incredible projection images. The polka dots depicted in this nude abstract were created using a homemade 35mm film slide. The projection’s shallow depth of field required it to be perfectly focused and focusing the D810 proved equally as tricky due to low light.
As the title of this image suggests, the subject is a red bell pepper, but you’d be forgiven for thinking it was a tongue at first glance. It was created during a camera club evening. The subject was placed on a mirror and the scene was sprayed with water. Sharpness and good lighting are key when shooting indoor close-ups and Frank has tackled both techniques with aplomb.
Although it might look like something out of a science fiction movie, this abstract was captured within the Serpentine Galleries’ 2016 pavilion installation. The aperture of f/11 was crucial in providing a large enough depth of field to render the hundreds of cuboid boxes sharp from front to back. We also like how the LED lights in the top-right portion of the frame provide a focal point in this fractal-like pattern.
If this water droplet image looks like a technical masterclass, that’s because it is. It took no fewer than seven flashguns, coloured gels and two sheets of white acrylic (as diffusers) to produce the incredible lighting and exactly the right consistency of fluid to produce the photogenic droplet. We love how the edge of the water bowl was used to create a horizon line to fabricate a sky.
It’s not by happenchance that this fuschia flowerhead looks like a pirouetting ballerina. John had the image in mind and specifically set out to find the perfect subject. The movement was created by using a shutter speed of 1/40 sec and firing the shutter as the flower was held by its stem and spun using the thumb and forefinger. Experimentation was key, before this beautiful final image was select.
638 Photographers
Meet the expert judge
Brief
See more contest details
In this Nikon-only contest – brought to you by N-Photo magazine – we're asking for your best abstract images. So, whether it's a photogenic fractal, an intentional camera movement masterclass or a fine art interpretation of the landscape, we’d like to see your best abstract photographs. </br> <b>Entry details:</b> <b>Do:</b> Ensure your photo was taken on a Nikon camera Have EXIF data in your photo (in the info section) Provide a title for your photo Write a description of the photo you're entering of at least 50 words to give us the background of what the image is of and how the it was taken. A little context can go a long way! Check your photo has a resolution of at least 3000 pixels on the longest edge of the photo as we will be printing our top 10 images in N-Photo magazine. <b>Do not:</b> Have a watermark on your photograph <B><i>Any photo not following the above rules will be disqualified from the competition.</i></B>
63,208 Ratings
The Selfridges building in Birmingham is a popular architectural photography subject but its abstract style lends itself to creative photography too, as proven by this fine close-up. The narrow aperture of f/13 is crucial here, producing a large enough depth of field to render the entire building in focus.
This painterly image is a fantastic example of intentional camera movement photography. It can be tempting to dial in an exposure that’s too slow and blur the entire image, but the 2/5 sec shutter speed used here has provided the perfect combination of brush-stroke blur and form, rendering the beach scene still visible.